Take a garden
scene with something puzzling happening in it - a frog with a geyser
of water spouting from a raised hand; faeries, unicorns, a goat; Castro
at Table Eating Lunch With Friends; Miss Muffet, a dead robin upended
branches of flowers - images that recall half-remembered quotations
from a nursery rhyme or a children's book, and what have you got - painting
aficionados know: a painting by Michael Reeves
Reeves is a contrary virtuoso,
each painting carries some record of his love of Canadian subjects.
It is in his subjects, the way he sets his scenes and in the rich colour
of his palate.
Reeves' images become splendidly
disobedient. Flowers are like goldfish. In one painting the even become
goldfish . . .
Each painting exists in its
own lyrical fantasy world, seen together the works capture the complexity
and depths of Reeves' ceaseless improvisations.'
From an article by Joan
Murray, Director of the McLaughlin Gallery, Oshawa.
Michael's paintings are complimented
by the wild and imaginative sculptures of Gregory Robins and
John Wiles.